videography rates

Videographers prices

 With one of the most competitive videographer rates AD.JUST will adapt to your budget and provide you with high-quality team. On this page, you can obtain Video Production Rate Card, check our Videographers prices, and request custom video production costs!

 

 

The demand for a professional video makers team is high, as well as a risk to fail the project due to lack of  film crew expertise. Therefore, we want to make you sure we can engage high-class specialists of any kind for a successful production.

Videographers Prices for Events and B-roll footage

Videographer Rates for Events in Orlando, Los Angeles, Las Vegas. Videography rates includes Camera + Videographers price per day for footage producing only (not including post-production, insurance fees, travel expenses).

DSLR Package

N

DSLR CAMERA

N

Up to 10 hours

N

HD, 4K

N

Half day Rates: Yes

Canon Package

N

Canon C300 or similar

N

Up to 10 hours

N

HD and 4K

N

Half day Rates: Yes

Digital Cinema

N

RED EPIC-W, 8K

N

Up to 10 hours

N

Up to 8K

^

Half Day Rates: NO

* Videographer day rate don’t include editing, for full-service costs, video editing pricing contact us at getquote@adjustproduction.com

Custom Video Production Costs

We will be happy to answer all types of custom inquiries besides daily videographers prices.

Our team is ready to provide you with promotional, commercial, and event videography rates and custom video production costs based on your budget and meet your expectations!

How to get a video production costs breakdown:

 

 

  • Describe the type of video and be as more specific as you can. For example, Commercial, Product, Kickstarter video, Event or Corporate, etc.
  • Suggest the video duration. For the commercial, the common length is 15 sec, 30 sec, 90 sec, up to 3 mins.
  • Describe a brief idea if you have or send us the script.
  • Mention the deadlines if it’s urgent.
  • Tell us about your the video budget limitations or range. It’s a very important as we might offer you a better solution based on your abilities.

    Video Gear and Vehicles Specialties

    Executive Crew Van for Hire

    A new multifunctional production van Mercedes-Benz Metris available in Los Angeles for small film crews.

    Think of our van as a mobile editing station with the ability to be a one place transportation for all your crew and gear. It can also be used as an executive producer or client vehicle, and even transform it into a make-up mobile set, you name it! It can do it all.

    Grip & Lighting Truck

    Mercedes Sprinter Vans are well-known workhorses of film industry. This bad boy carries up to 2 Tons of grip and lighting gear. Stuffed with newest and advanced tools from popular and established brands like Arri, Astera, Matthews, Litegear. While its moderate size is ideal for multiple locations in run-n-gun style, it well-arranged inner space makes it powerful enough for up to a feature film production.

    Red Epic-W, 8K & Steadicam

    Resolution Matters. Digital Cinema camera RED-Epic-W with HELIUM 8K S35 sensor allows our DP to shoot footage up to 8K suitable for cinema and TV screening. With such equipment we can provide the footage quality of 4,6 and 8K to any of our clients. 

    Paired with Steadicam this camera can create cinema style and quality motion picture of any object or person in the frame.

    Video Crew for Hire

    Every project is unique and we come up with a custom selection of video-making professionals to secure an ideal film crew headcount. Check the list of the most requested videographers and other specialists and and what can affect rate for videographer.

     

    DIRECTOR OF PHOTOGRAPHY or DP

    The DP works with the director on bringing the image, style, and mood of the video to communicate to the audience. DPs are in charge of all lighting decisions and the tone of the light. They provide directions on angles and shots, choice of lens, and movement. DPs will also provide input on which equipment to use, depending on many factors. Most DPs will prefer different approaches depending on the type of production, commercials on set and documentary on location require different gear. These specific videographers prices depend on how professional this person is and what gear is he using.

     

    CAMERA ASSISTANT

    Low-budget productions will have an assistant, or “1st AC,” before having a professional videographer. ACs are responsible for helping the DP with focusing, get the right lens for the shot, also making sure any batteries, media cards are ready for the next frame or scene. They’re typically tasked with building the rig for videographer at the start of the filming day and making sure nothing was left on the set at the end.

     

    CAMERA OPERATOR

    On smaller productions, the DP can also be an actual videographer. However, on bigger productions, this task is often given to a camera operator who can help run the footage production smoothly and increase film crew efficiency.

    GAFFER

    Gaffers work with DP to help shape the light right. Basically, gaffers are responsible for all lighting and will place filters on lights to control their tone, color, and intensity. Gaffers usually manage the grips and electricians on set and usually work their way up to being DPs.

     

    GRIP

    The grips are responsible for building and rigging lighting, dolly tracks and other lighting accessories. The key grip is in charge of other grips and reports to the gaffer. It’s normal to have the same person handling both the gripping and the gaffing.

     

    ELECTRICIAN/ BEST BOY

    The electricians handle getting electrical power for the lights or generators if the filming is outdoors. Electrician team should run distribution boxes strategically so that they’re safe and out of the way from other video crew members.

     

    DIT

    The DIT is responsible for transferring the footage on the cards to HDDs or laptops. DITs have to work fast and perform quality control checks during the  process to be sure nothing’s lost. On lower budget projects, Project Assistant is in charge of this task.

     

    PRODUCTION ASSISTANT

    The PA serves as an important position to ensure production is occurring in a timely manner and meets the strict quality metrics outlined in the brand identity guide.  On smaller productions, PA becomes a crucial position providing help in almost all aspects: setting up audio and video equipment, microphones, sound speakers, video screens, projectors, video monitors, recording equipment, connecting wires and cables.

     

    SOUND GUY/BOOM OPERATOR

    This person is responsible for correct positioning of the microphone boom pole during the filming. The boom operator is the assistant to the sound mixer. He also must be able to follow the actor’s movements while staying out of the frame and lights. This makes it a challenging job for accomplishing the best possible audio.

     

    SOUND MIXER

    The audio operator take all the audio inputs generated by the filming process and record them to flash media cards. He/she decides which microphones to use as well as placements of the microphones. The experienced audio engineer will make sure that all audio is recording smoothly, securing much more flexibility in further post-production.

     

    AD.JUST

    Production

    ABOUT US

    Boutique-style creative video production agency provings services in Los Angeles, San Diego, Orlando, and New York.

    Califronia:

    1850 Whitley Ave, Hollywoood, 90028
    Phone: +1 (213) 315-0200

    Florida:

    911 N Orange Ave, Orlando, 32801
    Phone: + 1 (239) 249-9339
    getquote@adjustproduction.com