Video Production Prices
The demand for a professional video makers team in Los Angeles and Orlando is high, as well as a risk to fail this production due to lack of crew expertise. Therefore, we want to make you sure we can engage high-class specialists of any kind for a successful production.
With one of the most competitive video production rates AD.JUST will adapt to your budget and provide you with high-quality video production services. On this page, you can obtain Video Production Rate Card by request or check our Videographer prices.
Videographer Pricing for Events and footage production
Videographer Rates for Events in Orlando, Los Angeles, Las Vegas. Videography rates includes Camera + Videographer prices per day for a footage production (not including post-production, insurance fees, travel expenses).
Up to 10 hours
Half day Rates: Yes
Canon C300 or similar
Up to 10 hours
HD and 4K
Half day Rates: Yes
RED EPIC-W, 8K
Up to 10 hours
Up to 8K
Half Day Rates: NO
Custom Video Production Costs
We will be happy to answer all types of inquiries! Our team is ready to provide you with promotional, commercial, and event videography rates and custom video production costs based on video production rates that will fit your budget and meet your expectations!
How to get a video production costs breakdown:
- Describe the type of video and be as more specific as you can. For example, Commercial, Product, Kickstarter video, Event or Corporate, etc.
- Set the video duration. For the commercial piece, the common length is 15 sec, 30 sec, 90 sec, up to 3 mins.
- Describe a brief idea if you have or send us the script.
- Set the deadlines if it’s urgent.
- Set the video budget limits. It’s a very important point, cause we might offer you a better solution based on your abilities.
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Video Gear and Vehicles Specialties
Executive Crew Van for Hire
A new multifunctional production van Mercedes-Benz Metris available in Los Angeles for small production crews.
Think of our van as a mobile editing station with the ability to be a one place transportation for all your crew and gear. It can also be used as an executive producer or client vehicle, and even transform it into a make-up mobile set, you name it! It can do it all.
Grip & Lighting Truck
Mercedes Sprinter Vans are well-known workhorses of film industry. This bad boy carries up to 2 Tons of grip and lighting gear. Stuffed with newest and advanced tools from popular and established brands like Arri, Astera, Matthews, Litegear. While its moderate size is ideal for multiple locations in run-n-gun style, it well-arranged inner space makes it powerful enough for up to a feature film production.
Red Epic-W, 8K & Steadicam
Resolution Matters. Digital Cinema camera RED-Epic-W with HELIUM 8K S35 sensor allows our DP to shoot footage up to 8K.
Paired with Steadicam this camera can create cinema style and quality motion picture of any object or person in the frame.
Video Crew for Hire
Every project is unique and we combine a custom set of video-making professionals to secure an ideal film crew headcount. Check the list of the most demanding videographers and other specialists and and what can affect video production prices
DIRECTOR OF PHOTOGRAPHY or DP
The DP works with the director on bringing the image, style, and mood of the video to communicate to the audience. DPs are in charge of all lighting decisions and the tone of the light. They provide directions on camera angles and shots, choice of lens, and movement. DPs will also provide input on which camera to use, depending on many factors. Most DPs will prefer different camera sets depending on the type of production, commercials on set and documentary on location require different gear. This specific videographer rates depends on how professional this person is and what gear is he using.
Low-budget productions will have a camera assistant, or “1st AC,” before having a professional cameraman. ACs are responsible for helping the DP with focusing, get the right lens for the shot, also making sure any batteries, media cards are ready for the next frame or scene. They’re typically tasked with building the camera for videographer at the start of the filming day and making sure nothing was left on the set at the end.
On smaller productions, the DP can also be an actual camera videographer. However, on bigger productions, this task is often given to a camera operator who can help run the footage production smoothly and increase film crew efficiency.
Gaffers work with DP to help shape the light right. Basically, gaffers are responsible for all lighting and will place filters on lights to control their tone, color, and intensity. Gaffers usually manage the grips and electricians on set and usually work their way up to being DPs.
The grips are responsible for building and rigging lighting, dolly tracks and other lighting accessories. The key grip is in charge of other grips and reports to the gaffer. It’s normal to have the same person handling both the gripping and the gaffing.
ELECTRICIAN/ BEST BOY
The electricians handle getting electrical power on set for the lights or generators if the filming is outdoors. Electrician team should run distribution boxes strategically on set so that they’re safe and out of the way from other video crew members.
The DIT is responsible for transferring the footage on the camera’s cards to HDDs or laptops. DITs have to work fast and perform quality control checks during the process to be sure nothing’s lost. On lower budget projects, Project Assistant is in charge of this task.
The Production Assistant serves as an important position to ensure production is occurring in a timely manner and meets the strict quality metrics outlined in the brand identity guide. On smaller productions, PA becomes a crucial position providing help in almost all aspects: setting up audio and video equipment, microphones, sound speakers, video screens, projectors, video monitors, recording equipment, connecting wires and cables.
SOUND GUY/BOOM OPERATOR
This person is responsible for correct positioning of the microphone boom pole during the filming. The boom operator is the assistant to the production sound mixer. He also must be able to follow the actor’s movements while staying out of the frame and lights. This makes it a challenging job for accomplishing the best possible audio.
PRODUCTION SOUND MIXER
The audio operator take all the audio inputs generated by the filming process and record them to flash media cards. He/she decides which microphones to use as well as placements of the microphones. The experienced audio engineer will make sure that all audio is recording smoothly, securing much more flexibility in further post-production.
Boutique-style creative video production agency provings video services in Los Angeles, San Diego, Orlando, and New York.
Video Production Los Angeles:
1850 Whitley Ave, Hollywoood, 90028
Phone: +1 (213) 315-0200